VII. THE OVERLOOKED 13TH, A COMMUNARD BASTION

MENU: 7. A COMMUNARD BASTION

THE CITY'S SOUTHEASTERN FRINGE USED TO BE ITS POOREST AREA...  

Adapted from a Google map

In the east where prevailing winds blow pollution, next to the river and a railroad and an outskirt with inexpensive land, it became one of the most industrialized parts of France.

Raw capitalism made the once idyllic area a place of misery.

 Painting (detail) of an inn in the area toward 1820, anonymous (at today's Auberge Ethchegorry) 

Paris, 4 place Pinel "Les Chiffonniers" [The Ragmen ] by Eugène Atget, toward 1900 / for more photos from the National Library, zoom

This section explores that past. The next one shows how much it has changed, and how the hardship of the past is the background to its vitality today.

     Boulevard Auriol 

I live there.

The past

• The fight for the hilltop

• An epicenter of misery

• A Third-World revolutionaries' training ground

• A walk through an outskirt that used to be chilling

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Next,

V.II.

The fight for the hilltop

VII.1. THE FIGHT FOR THE HILLTOP

 MENU: 7.1. The fight for the hilltop

THE FIERCEST STRUGGLE OF BLOODY WEEK

The Last Day of the Commune, theater poster by Leon Choubrac, 1883 / zoom 

In brief

• Frenzied combat

• Communard fighters

• Conflicting signs and the Communard spirit

• Another panel does mention La Commune and the fighting, but...

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Next,

Frenzied combat

FRENZIED COMBAT

THE BUTTE-AUX-CAILLES ("QUAIL HILLTOP"), SITE OF THE REPRESSION'S WORST FIGHTING

Elsewhere Versaillais officers spared unreliable troops, but they could not leave so strategic a height to the Communards. It took the government forces, which were six times more numerous, four attempts to seize the hill.

-- Lissagary

                                 The Observatory Seen from the Butte aux Cailles by Jean Millet, toward 1710 / zoom

"A perspective to delight 

the most blasé traveller [...]

The Panthéon's magnificent cupula, the drab and melancholy dome of the Val de Grâce, proudly dominate an entire town [...] From there, the proportions of the the two monuments appear gigantic [...] to the left, the Observatory seems a dark and gaunt spectre [...] then, from afar, the Invalides's elegant lantern flames between the Luxembourg's blue masses and the gray towers of Saint-Sulpice [...]" 

-- The Woman of Thirty by Balzac, 1842 

First they avoided the barricade that guarded the entry* to the 13th, by advancing under fire along the islands of the Bièvre river:

*Les Gobelins, the famous site of tapestry production since the 17th century. It is still where the district begins.

Zoom (please scroll down)

Then their climb gently began...

Parc René Le Gall

The park is built on enlarged islands.

Across what was then a track... 

Now boulevard Auguste Blanqui 

It linked the gate at the city's entrance with place d'Italie, site of City Hall and the prison where the monks would soon be killed.

The height was across from it. After the four tries mentioned, under heavy fire, they took it toward 4 p.m.

           Engraving of the time, gone from the web

The Brassai garden

The thousand surviving Communards retired to the right bank in good order, where they dispersed to defend their neighborhoods.  

# # #

The terrified residents a few streets away.

heard the screams and gun shots.

(For the site now, please click and scroll down.)

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Next, 

Communard fighters

COMMUNARD FIGHTERS

THE HILLTOP LOST, GENERAL WALERY WROBLEWSKY REFUSED THE COMMAND OF THE REMAINING TROOPS AND FOUGHT ON AS AN ORDINARY SOLDIER:

        Mosaic outside the seat of Les amis de la Commune

The Polish nobleman exiled for participating in the insurrection of 1863 survived in Paris by lighting street lamps, then as a typographer.

La Commune defeated, he managed to flee to England. With the help of Marx, Engels and Polish refugees he founded a printing establishment and published Lissagary's account. He returned to Paris in 1885. He died there in 1908, deeply admired by the Polish community but extremely poor. 

-- Unsigned article in a publication of Les Amis de la Commune, n° 33, 2008. 

# # #

The legendary 101st battalion: "Rage alone commands those demons," of the 13th or Mouffetard,* "undisciplined, hoarse, with torn clothes and banner, who mutiny if they rest and as soon as

they have been withdrawn from battle, must be plunged into it again."

  -- Lissagary

*Where Hemingway hears Communard memories.

Sérizier, the commander:

       Cover photo

            Eléments de l'histoire de la Commune du 13e arrondissement by Gérard Conte, 1989

 

Marie Jean-Baptiste Sérizier wears his cap boldly to the side and looks intensely into the camera as he leans against his sword.  

A Communist tanner and militant,

he blustered, drank, beat his wife

and was an extremely brave and effective soldier.

For his last fight,

please click back.

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Next,

Conflicting signs and the Communard spirit

A PANEL DOES MENTION LA COMMUNE AND THE FIGHTING, BUT...

 

IT CONTAINS ERRORS, MUCH OF THE DATA IS IRRELEVANT AND IT IS HIDDEN AWAY

History of Paris

Communards on the Butte-aux-Cailles

"After the seige of Paris the government that has taken refuge in Versailles tries to restore order* in Paris held by the Commune. The Butte aux Cailles, then sparsely inhabited and whose steep slopes dominate the Bievre river, is the theater of a bloody battle on May 25. The guards have their headquarters there. **

*Restore order: a euphemism for taking control. Paris was exceptionally calm (please click and scroll down).

**Their headquarters were the Gobelins manufactory, which barricades surrounded. Using the islands of the Bievre avoided them. 

Their leader, Wroblewski, protects its access by ambushes and light artillery fire.

[...] The Versaillais are pushed back several times, but at the end of the day hold place d'Italie — then place Émil Duval, counselor and Communard general shot in April [irrelevant] — and the hill, while numerous insurgents retreat to the right bank of the Seine.  

# # #

Most of the city's 700 panels are on the street where they are  noticed, but this one is placed inside the passage that leads to the hill. 

You must take the little-used passage to see it.  

Ignorance and irrelevance as elsewhere,

 invisibility added. 

End of this section.

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Next section,

VII.2. 

An epicenter of misery