Tuesday, April 30, 2013

V.3. BLACKOUT

 5.3. Blackout  

THE HOMAGE TO TYCOONS IS CAMOUFLAGED WHEN IT'S POSSIBLE, IGNORED WHEN IT ISN'T
 
Pamela Spurdon

In brief

  • Tycoons equal to an emperor
  • Masking the monument's purpose
  • Merch can seem to explain the change
  • Ignoring the obvious and getting away with it

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Sunday, April 28, 2013

TYCOONS EQUAL TO AN EMPEROR


EXCEPT FOR THE MESSAGE ON THE FACADE, THE IMPORTANCE GIVEN EMPEROR AND SUBSCRIBERS IS THE SAME

The rotunda and surrounding voids are the same, on the city's most expensive land:

      Claude Abron

The difference is in the extras that make the voids stand out:

  • At the Emperor's entrance, a ramp for horses:  


  • At that of the subscribers, a colonnade: 



# # # 

Contrasting caryatides:

  • For the Emperor,  layers of drapery clothe a pair.  


  •  For subscribers, they are nude, sensual and 14 of them surround the void.  

Nudity, the clothing of gods, in official art represents the Republic, Justice etc., cold abstractions that do not incite desire. 

But before their restoration (please read on) these nudes radiated eroticism. 

Félix Sinpraseuth
Before restoration (in 2016)


Alex Varenne
"Coming, chéri?"

They allude to the ballerinas.
# # #

The colonnade highlights the void's immensity, as lit by the caryatids' lanterns subscribers strolled toward their entrance...

Roland Halbe-Yatzer

...feeling themselves masters of the universe.


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Saturday, April 27, 2013

MASKING THE MONUMENT'S PURPOSE


THE HOMAGE TO MAGNATES, CAMOUFLAGED OR IGNORED

Their entrance has vanished:
(Since 2011)



The statues have been "restored." Rather than almost palpable,
they are hard, slick and cold:



# # #

But how mask a space so vast that only its center is used? Two-thirds are easily neutralized...

  • The section near the department stores is naturally hidden until late afternoon. The light is in the eye and passers-by see the colonnade alone:   


  • The center is a restaurant terrace. Tables and parasols divide its immensity...




 ...while greenery and a barrier separate it from the street:



Passers-by do not notice it:



# # #

But the last third is too big to hide. Empty, it stands out. Changing the exit masks the space from visitors leaving the building:

  • They used to leave by a vast glass portal, descended a staircase that was short but wide, walked through the whole space and left with a sense of majesty.

The pothole shows disregard for the past and the belief that the new exit will let it pass unnoticed.  

  • Now a small, dark, new exit leads directly to the street.*

* Because the much smaller doorway is easier to guard from theft? On the contrary: Half closed, the earlier glass door was of the same size and its luminosity favored control. 

That is another example of a detail that seems to have little importance, yet throws light on what counts most. 


 
But about passers-by 
there is nothing to be done. 



This photo was not posed
and the onlooker seems to wonder
why there should be space 
that is empty except for a pothole.



Friday, April 26, 2013

MERCH CAN SEEM TO EXPLAIN THE CHANGE


RENOVATION MEANS PASSING THROUGH THREE BOUTIQUES TO THE EXIT




 It can make a third of the void
surrounding the subscribers' entrance
 a restaurant terrace.

But it has nothing to do with asepticizing the statues
or changing the exit.

Please click on.


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Thursday, April 25, 2013

IGNORING THE OBVIOUS AND GETTING AWAY WITH IT


THE PAINTING OF AN ORGY COVERS THE WHOLE CEILING OF THE SUBSCRIBERS' SALON

Its most explicit scene strikes the eye on entering.



Yet:
 
  • The audio-guide comments minor elements of decoration (busts and small tapestries) and mentions neither subscribers nor ceiling.  
  • Guided tours say nothing. When I'm in the salon with visitors and a group arrives, we listen as the guide omits the ceiling and clients do not ask.*

Web site comments show only one visitor's surprise at that crown of what is said to be one of high culture's great achievements:


Harald Wolff

The Opéra performs the exploit
of turning profit-seeking and pedophilia into grandeur,
and (most of) the public,
 that of ignoring it.
 
 
End of this section.

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