Monday, May 30, 2016

IV. WHY IS THE CITY SO GRAND?


PARIS HAS NO MOUNTAINS, NO SEACOAST AND ITS RIVER IS UNIMPRESSIVE: ITS ALLURE COMES FROM THE ROYAL IMPRINT AND FEAR OF INSURRECTION.



Sunday, May 29, 2016

V.1. MAJESTY ON A HUMAN SCALE, FORGOTTEN GIFT OF KINGS

MENU: Majesty on a human scale

FRANCE'S 17TH-CENTURY KINGS USED URBAN DESIGN AND MONUMENTS TO EMPHASIZE THEIR GROWING POWER

France's first straight street leads to the 12th century Basilica of Saint-Denis and royal mausoleum:
 

Paris's first straight street (toward 1600) looks back to it. It leads to a statue of a king on horseback:

   Rue de Birague (former rue Royale)

The Grand Axis merges with the horizon to symbolize the infinite power of monarchy (toward 1675):
Claude Abron

Those innovations stem from a uniquely powerful monarchy and could not have been born elsewhere.

Yet they go unnoticed.






Saturday, May 28, 2016

IV.1.1. A PARADE ROUTE CHANGES COURSE

MENU: 4.1.1. A parade route changes course

ROYAL ENTRIES MOVE FROM THE SAINT-DENIS GATE THAT LED TO THE KINGS' TOMBS, TO BASTILLE AND THE ROYAL PRISON 
(WITH THE ENTRY OF LOUIS XIII IN 1610) 

Starting at the gate recalled the ancestors and implied that kingship would not change. Starting at the prison announced that it would be more muscular. 

           Paris in 1530 / zoom

In medieval times participants (heralds, authorities, guild members, troops) met at the Saint-Denis Basilica in the north, where the kings were buried. Then they marched down the trade and pilgrimage route to enter town by the Saint-Denis gate: 

Entry of Charles V in Paris by Jean Fouquet (entry 1364, illumination toward 1450) / zoom

In the early 17th century, the entry point was transferred to the Bastille fortress, on the eastern edge of town:

         The Royal Entry of Louis XIV, August 27, 1660 by Maurice Leloir, 1931

Friday, May 27, 2016

FROM "JOYOUS" TO "ROYAL" ENTRY


MEDIEVAL "JOYOUS ENTRIES" ARE PARADES THAT UNITED KINGS AND SUBJECTS AROUND RULERS' CORONATIONS, WEDDINGS, VICTORIES OR VISITS 
-- Parisian entries described: Annales, 1986 (in French)

They were happy moments. Notice the fool:  

     The Entry of  Queen Isabeau of Bavaria  to Paris on August 22 1389,  "Froissart's Chronicles" / zoom  
Trumpets. Banners. Tapestries or sumptuous cloths hang from windows. Quarrels about precedence. Free-flowing wine. 

Halts for performances meant fun. Taking place at the same sites meant permanence:

 Zoom (please scroll down)

# # #

Changes came with monarchy's growing strength:


The Entry of  Henri II, King of France, in Rouen, October 1 1550, 1557 / zoom

Notice the white horse.

  • In the 17th, the name became royal entries. The parades began at Bastille or nearby and there were no halts or performances —  the king was the show.

  • Moving the meeting-place farther into the countryside reflects the growing number of participants and so the growth of the economy, the underlying reason for stronger royal power (discussed in History from Fresh Perspectives).

    • In 1610, participants of Louis XIII's entry meet in front of the gate next to the Bastille fortress.

The Entry of Louis XIII in 1610 / zoom (please scroll down)
Louis XIII, age eight, wears adult dress as all children did.

    • In 1628 the entry that celebrates the defeat of the Protestants comes together outside town (the heights in the background are those of Montmartre and Belleville). 

  Zoom
Notice the Roman dress.

    • In 1660 Louis XIV's entry unites so many people that it begins far to the east, where place de la Nation is now (please scroll down).

# # #

To grasp the significance of changing the starting-point,
grasp the meaning of the original route.

*    *    *

Next,

The path that linked kings with their ancestors





Thursday, May 26, 2016

THE PATH THAT LINKED KINGS WITH THEIR ANCESTORS


THE SAINT-DENIS BASILICA* HARBORS THE MONARCHS' TOMBS (ALL EXCEPT THREE)

*Basilica: from "king" in Greek. A basilica is a church of special significance. 

Basilica web site

By starting at the Saint-Denis gate the route connected the tombs with Notre-Dame Cathedral... 
            The Funerary Cortege of Marie-Thérèse in 1684 by Adam-François van der Meulen / zoom

 

     Claude Abron

And so originally with the palace, which was in its shadow.*

*Until the king fled the city's first important insurrection (in 1358) and settled in the fortress of the Louvre.
     Claude Abron

Ending at Notre-Dame 
underlined the sacredness of monarchy. 


Wednesday, May 25, 2016

THE IMPORTANCE OF THE SAINT-DENIS BASILICA

 
THE LEGEND: THE CHURCH IS BUILT ON THE SITE WHERE SAINT DENIS* COLLAPSES AND DIES
(TOWARD 250)
   
*Christian missionary, first bishop of the Paris region, martyr 

Heights are often hallowed, and the site for beheading Denis, Paris's first bishop, and his two companions was a Roman shrine:

View of the Montmartre Hilltop (detail) by Lucien Marchais, 1902 / Sotheby's

Legend has him pick up his head and still preaching, continue along the path, a trade route:

Adapted from a Google ma

The hill appears in paintings about the event:

  The Crucifixion and Episodes of the Life of 
Saint Denis, retable of Saint Denis by 
Henri Bellechose, 1416 / zoom

He is shown holding his head in his hands:



Western tympanum, Saint-Denis basilica


Corey Frye
Facade of Notre-Dame Cathedral


Zoom (please scroll down)
Abbey of Saint-Germain, Auxerre


 Zoom
Church of the Holy Trinity, Paris 9th, 19th century

Impasse Girardon, Paris 18th (near the Basilica) / Trip Advisor
A modern statue

The trade route is one tangible aspect of the legend. Others: 

  • Saint Denis preaches with his head in his hands: Decapitation is difficult and executioners might try a number of times before the head was actually severed.

  • The spot where Denis is said to have collapsed was a Gallo-Roman cemetery:

Saint-Denis, une ville au Moyen Âge
Gallo-Roman tombs found near the church.

*    *    *

Tuesday, May 24, 2016

DETOUR: ANOTHER WAY IN WHICH THE PAST LIVES ON


A ROYALIST CRIED "MONTJOIE SAINT-DENIS!" AND SLAPPED PRESIDENT MACRON (in 2021)



He was repeating the battle cry of France's medieval knights.


# # #

A similar appeal has appeared in the United States:

Zoom (please scroll down)
Symbol of runic letter at the Unite the Right rally in Charlottesville, Virginia in 2017

                                                Zoom 
Tattoo of Pete Hegseth
Trump choice as Secretary of Defense.


 *     *     * 

Next,
The church where "Gothic" architecture began




Monday, May 23, 2016

THE CHURCH WHERE "GOTHIC" ARCHITECTURE BEGAN


"GOTHIC"   OR "BARBARIAN"  IS A 16TH- CENTURY TERM OF CONTEMPT

It would be better named "pointed arch architecture," which began at Saint-Denis
-- This page adopts the ideas of  Notre-Dame of Paris by Allan Temko, 1957

When Crusaders described arches seen in Syria...

Procession in Jaffa by Gustave Bauenfried, 1890, zoom 


Attempts to adopt them immediately began. The aim was not to reach toward Heaven as layers did already... 

Claude Abron
Angoulême, early 12th century 

But to obtain the uninterrupted interior space necessary for the meetings, classes, conferences, etc., which the towns that were springing up everywhere required and that much greater height allowed:

Conference at Notre-Dame by Henri Ladordaire, 1845, anonymous / zoom 

# # #

While round arches collapse under weights of stone, pointed arches meet at keystones, to carry stones' weight to pillars that take it to the ground:

Claude Abron
Saint-Amand Montron, early 11th century

Claude Abron 
Soissons, early 13th century

And flying buttresses reinforce the walls:

Saint-Eustache, the last Gothic church in Paris, 1532-62


# # #

But the churches fell down.

Then suddenly at Saint-Denis
 arches stayed stable even when built around the chevet's curve:
(In 1164)



Internet, no photographer named

The chevet, the most sacred part of a church, is separated from the public by the altar. In the Middle Ages it faced east toward Jerusalem and the rising sun, symbol of Resurrection.

The colossal churches immediately spread throughout Christendom, becoming the symbols of the new towns:

         In The Hunchback of Notre-Dame by Victor Hugo, 1854 ed.

# # #

Characteristics of Western culture: The Greek heritage, Roman law, the Judeo-Christian tradition...

And pointed-arch architecture,
which gives Saint-Denis its full importance.