"The neighborhood needed cleaning up,
but not in the way meant for the trenches of World War I.
One could 'renovate' on a human scale,
but this delirious and oppressive gigantism came instead"
-- Léo Malet, 1978,
Preface to new edition of Fog on Tolbiac Bridge
Meant to announce utopia, the towers seemed symbols of soulless
technocracy and their apartments did not sell.
"Will we still find what used to be
the living heart of the neighborhood...
workers and craftspeople, peaceful, humble folk, modest marginals [... ] little whores with flowers in their hair [... ] people who were not very smart, probably, but who were human [... ] they no longer have a place in this technocratic universe."
-- Continuation
The towers hover over little houses.
(From 1975)
Zoom Poster, Musée national de l'histoire de l'immigration Musée national de l'histoire de l'immigration
Poster announcing an exhibit on immigration of southeast Asians
The horizontal roofs were part of the original project, so recall pagodas by a fortunate coincidence.