Friday, November 30, 2018

II.3.2. EASTERN PARIS, WHERE NEW WORLDS EMERGE

MENU: 2.3.2. The east: new worlds emerge
 
THE TRAGIC PAST AND MODERN ENERGY MIX

Urban transformation forced laborers to move from the center to distant heights...
(In the mid-1850's)

These pages concentrate on the former villages of Belleville and Ménilmontant, but creativity springs up all over the east. 

...where they threatened elites again.

History of the Revolution of 1870-1871 by Jules Claretie, 1872 (in French)
Building barricades when the Paris Commune breaks out: to be continued.

 Opposition lives on.



In brief

  • Memories of insurrection
  • The area stays left
  • Preliminary fracas: the mad "Descent frola Courtille"
  • Toward the Belleville crossroad
  • Ménilmontant, where walls turn into art galleries
  • Kitsch and class
  • "To feel the real pulse of the city, go east"
  • Bars and music 
  • "Real Paris" and a path that streams through the east

*     *     *

Next,


Thursday, November 29, 2018

MEMORIES OF INSURRECTION

   

CANNONS DEPOSITED ON THIS HEIGHT* LED TO LA COMMUNE, THE LAST AND MOST TRAGIC OF THE 19TH-CENTURY INSURRECTIONS



Meetings like this took place... 

Musée Carnavalet, not exhibited
...in this church...

Notre-Dame de la Croix, Ménilmontant / zoom

It is on rue de Ménilmontant, 
where ferocious combats took place...


# # #

Now facing the street and the church 
is this Kurdish restaurant...

Chez les deux amis gourmet
110 rue de Ménilmontant


...and behind the church and steps from the street,  this progressive bookstore...

3 rue de la Mare

...where conversations continue after
books have been presented:  



For a discussion there 
of recent works on La Commune,
 please click and scroll down.

# # #

 
"We don't know whether art still allows HOWLING (more inside)"


"Behind fascism hides capital"


# # #

La Commune is in its DNA: We will come to it.


The past isn't dead and gone.
In fact, it isn't even gone.
-- William Faulkner
*    *    *

Next,




Wednesday, November 28, 2018

THE AREA STAYS LEFT

 

MEMORIES 

The hammer and sickle over a powerful workers' cooperative, Communist after 
1924:


Plaque honoring members of the Libération Nord (Socialist) Resistant group fallen during the Libération of Paris.

Today


Another progressive bookstore, a few steps from that shown above

MONDAY JUNE 19 . 19h30  LA BELLEVILLOISE
"Let's get rid of Macron and the patrons" "Facing capitalism, LET'S ORGANIZE"

Posters for an independent union and help to migrants 

Poster of the non-Communist left


"MEETING
We don't know whether art still lets us HOWL
(more inside!)"


Behind Fascism capitalism lurks


# # #

La Commune is in its DNA: We will come to it.


 The past isn't dead and gone.
In fact, it isn't even gone.
-- William Faulkner
*    *    *

Next,

Sunday, November 25, 2018

PRELIMINARY FRACAS: THE MAD "DESCENT FROM LA COURTILLE"


"LA DÉCENTE" WAS A WILD CORTEGE THAT SWEPT DOWN FROM BELLEVILLE TO PARIS'S CITY HALL ON ASH WEDNESDAY
AT DAWN
(FROM THE 1820'S TO THE EARLY 1860'S)

That is, from underclass outskirts to the heart of the bourgeois town, in defiance of Church demand for penance.

            Plan of 1756 / zoom (please scroll down)
Yellow arrows show where things are, red arrows walking-tour routes, as on the next page.

Descent from la Courtille by Charles Nanteuil, 1842 / zoom
The Carnavalet Museum has not exhibited the work since the renovation that focusses on elites

# # #
 
At its origin were custom duties on wares coming into town, obtained by building a new city wall. In the impoverished east that led to taverns springing up outside the its gates, which sold untaxed wine. 
(From 1788)

       The Belleville Toll Gate by J.-L.-G.-B. Palaiseau, toward 1790, zoom

    The Ramponeau Cabaret in Lower Courtille toward 1761, anonymous / zoom
The tavern where wine was cheapest

# # #

They brought a counter-culture that the cancan and the cortège expressed:

  • Called the "dance of the barriers,"* the cancan is the only French dance that women lead. Its exuberant sexuality and steps that taunt authority made it forbidden in Paris: For an example of its provocation, please click and scroll down.

*Barrières
toll gates

  • A best-selling novel of 1848 shows its transgression and implicitly that of the culture behind it:

  
                             The Mystères or Paris by Eugène Sue, 1848

Dancers warm up before going to a southern barrière (near today's Saint-Jacques métro) to watch two women be guillotined. When the"cannibals" rush off to the execution, the hero, a prince on horseback, breaks up their crowd.

  • The "Descent from la Courtille"* was another mocking challenge. Residents celebrated in the taverns all night and at dawn, costumed and drunk, marched down the hill to Paris. Slumming party-goers joined the cortège, or rented windows to watch it pass. 

*Courtille: a small court in front of a farm, the original name of the Belleville crossroads.

                    The Bibliothèque historique de Paris, Facebook, with no more information

# # #

The procession reveals class hostility long before conflict breaks out: 

  • Lent, six weeks before the Resurrection, is for Christians a time of fasting and abstinence. It begins with a priest drawing a cross with ashes on the foreheads of the faithful as a sign of penitence, on Ash Wednesday.

Strasbourg, 2014 / zoom

  • Mardi Gras ("Fat Tuesday") takes place just before Ash Wednesday. The license tolerated then contrasts with the austerity to come.

 New Orleans, 2011 / zoom

By taking place not on Mardi Gras but in the first hours of Ash Wednesday, La Descente provoked the Church, ally of the elite.

#  #  #

In 1860 the State moved the city limits to the distant fortifications. That brought the turbulent outskirts under its control, for example by letting the police arrest rebels who took refuge there. 

             Adapted from Fortifications of Paris and its Environs, 1841, zoom

     The Good Town of Paris and its New Children by Charles Vernier, 1850 / zoom

The benevolent Government scrubs La Villette (where the take-over had been particularly resisted) while Belleville wipes his nose with his hand and Bercy, where wine was stored, drinks straight from the bottle. 

Only the well-dressed girl from Batignolles, in the prosperous west, behaves properly.

Moving the toll barriers ended the taverns and so La Descente.

# # #

Industrialisation would have ended it in any case
because it gave the poor less leisure and less pay,
but pushing back the toll gates hastened its demise.

Saturday, November 24, 2018

TOWARD THE BELLEVILLE CROSSROAD NOW


WALK DOWN TO THE JUNCTION WHERE "LA DESCENTE" BEGAN
(ON RUE DE BELLEVILLE)

Adapted from a Google map



Traces of old Belleville: Edith Piaf and Marcel Arnault



"On the steps of this house on December 19, 1915 in the greatest poverty was born Édith Piaf, whose voice would shake the world."

That she was born on the steps is a myth, but Piaf's parents did live in that house, she did sing in this street and she was so poor that she had to prostitute herself to bury her two-year old child. 


From the 1920's to the 1970's, Armenians and Eastern European Jews made Belleville France's center for handmade shoes. Among the rare French cobblers was Michel Arnault, whose workshop was next to that house:


He told the biographer his story as he worked away, nails in his mouth. Too ill to go to school, he learned to read and write with clients in cafés. Then he read and pondered great philosophers and writers. 

When during the Occupation 
the police prepared to arrest Arnault's Jewish assistant...

a friend persuaded a French official to meet him. Things began badly, the official saying that the Gestapo had the dossier already. Arnault was so tense that he tore the petals away from a flower in a vase on the table, murmuring a Latin declension (rosa, rosa, rosam...). The official asked if he knew Latin, and in the affirmative tested him by reciting Caesar's commentaries in the original. The conversation continued in Latin, and the assistant was saved.

More on Arnault here.
# # #

Another "Chinatown," which is newer and smaller than that of the 13th:

 

An Asian chorus at a Fête de la Musique

# # #

On the way to the crossroad



  Jaber



A café for music and slam
Culture rapide
103 rue Julien Lecroix (corner rue de Belleville)


Graffiti






# # #

At the intersection where was once La Courtille, 
a sign lists the taverns and mentions La Descente...
leaving out its subversion.


At the crossroad, turn left.