5.2. 1830: THE PEOPLE FOOLED

MENU: 5.2. 1830: The people fooled

THIS OFFICIALLY-COMMISSIONED PAINTING HAS ALL CLASSES SURROUND THE NEW KING AS HE RIDES PAST 

BARRICADES THAT HAVE NOT YET BEEN DEMOLISHED 

That cohesion will soon be as unreal 

as is the white horse in this work of propaganda, 

which the City commissioned

 and musée Carnavalet prominently displays.

*    *    *

Start of a different struggle

• Social classes whose goals diverge

• Faceless poor and bourgeois heroes

• More on bourgeois heroes

• Freedom's great painting, fervent and ambiguous

• The Arc de Triomphe's lame homage to the plebes 

• The July Column, as evasive

• Victor Hugo's "time of riots"

• An intelligent ogre checks in

• Algeria enters France's conflicts

*      *      *

Next,

5.2.1.

Social classes whose goals diverge

V.2.4. FREEDOM'S GREAT PAINTING, FERVENT AND AMBIGUOUS

THE PLEBIAN GODDESS AND THE HUMBLE FIGHTER SHOWN

FULL FACE MAKE THE WORK EXPLOSIVE

Louis-Philippe hesitates to buy what will become France's great iconic painting and stops exhibiting it six months later when another insurrection breaks out.

    By Eugène Delacroix, 1831, zoom

Cut to emphasize those figures. 

The capitalism that 1830 unleashed worsened the lives of the humble:* "A free people whose happiness begins" is this work's ironic title.

 *The population too poor to tax goes from 68% in 1833 to 72,2% in 1846. (Haussmann by Michel Carmona, 2000, p. 177)

 Engraving by Travies, 1831 / zoom

 

"...10,000 in civil list, a budget of a billion, higher taxes, laws of privilege, arrests and illegal visits, arrests without motive, crowded prisons, stock market coups, produce at onerous cost, commerce wiped out, national colors forbidden, patriots assassinated, aggressors publicly paid, treasure wasted, sinecures, traitors to the nation and the population miserable.

Freed people, whose happiness begins, 

relax after your immense achievement!

People! Rest!"

A July hero

May 1831

# # #

The masterpiece is ambiguous: Liberty with what practical goal? For whom?

Like almost all intellectuals

Delacroix approved "the people" 

when their force brought middle class goals,

and backed their massacre

when they fought for themselves.

More later.

.*     *     *

Next,

5.2.5.

The Arc de Triomphe's lame homage to the plebes

V.2.5. THE ARC DE TRIOMPHE'S LAME HOMAGE TO THE PLEBES

LOUIS-PHILLIPE COMPLETES THE MONUMENT THAT NAPOLEON BEGAN, HOPING TO UNITE THE FRENCH AROUND HIM

(IN 1836)

To thank the humble for bringing him to power he has soldiers shown as men of the people for the first time:

Claude Abron

They are individualized as well.

Till then warriors were shown as Romans, whether they were kings, nobles — adversaries included  — or mercenaries...

Louis XIII at place des Vosges               Louis XIV at the Musée Carnavalet

At the Saint-Denis gate, 1674 / Carolyn Ristau

A noble fights another noble.

La Paie des soldats from the tapestry "Les Fruits de la guerre", 1546-1548 at the Renaissance Museum / zoom

But commoners were anonymous...

   L'Ange de la mort vainc Sennarcherib, 17th century / zoom

As are the fighters in paintings about the Revolution of 1830.

 

# # #

These soldiers of the Revolutionary and Napoleonic armies on are courageous, determined, individualized, ordinary...

Photos from the diorama at the arch's summit

And need binoculars to decipher.

          Claude Abron

*     *     *

Next,

5.2.6. 

The July Column, as evasive

V.2.6. THE JULY COLUMN, AS EVASIVE

THE OTHER GREAT MONUMENT OF THE TIME: A COLUMN

THAT HONORS 1830'S FALLEN  

(INAUGURATED IN 1840)

Giving their names commemorates them, but omitting their professions erases their mainly humble origins:

The July Column, on ultra-symbolic place de la Bastille

Names

Perhaps there was no room for professions? But royalists managed to include them, as a way to show the arbitrariness of the Revolution's bloodbath:

Such plaques surround the altar of the Picpus church, near the guillotine's last site.* Its cemetery is reserved to descendants of guillotined nobles.

*At place de la Nation, then called the "place of the Overturned Throne" because the guillotine was transferred there at the end of the Terror (June 13-July 28, 1794). 

 

Monuments present 

their sponsors' point of view.

*      *      *

Next,
 5.2.7.

Victor Hugo's "Time of riots" 

V.2.7. VICTOR HUGO'S "TIME OF RIOTS"

"ENRICH YOURSELVES," A PRIME MINISTER NOTORIOUSLY DECLARES

 

"Monsieur Guizot is personally incorruptible and he rules by corruption. He makes me think of an honest woman who runs a brothel." 

-- Victor Hugo

Corruption, the rule of money and more intense exploitation

come with businessmen in command after 1830:

Le Ventre législatif [legislative belly] by Honoré Daumier, 1834 / zoom

-- The bank bores you and you would rather have a private office in the Ministry of the Interior?"  
-- Yes, father. 
-- There is one great difficulty: will you be rascal enough for that post?

-- Lucien Leuwen by Stendhal, 1834, start of  Part II

"Workers must know that there is no remedy for them except patience and resignation." 

-- Another Prime Minister, the banker Casimir-Périer

• Far from resigning themselves, the poor revolt so often that uprisings are ignored. Riots begin in February 1831 with the pillaging of the Notre-Dame bishopric and are endemic until the killings of 1834, mentioned below.

     Le Sac de l'Archevêché de Notre-Dame le 14 février 1830, anonymous engraving, 1883 / gone from eBay. 

 Les Assiégés [The Besieged]. Le haut d’une maison du faubourg St. Antoine. Jusqu’au plus modeste réduit la Liberté a trouvé de nobles défenseurs » by André Joseph Bodem, zoom (please scroll down).  

"Gunning down happens at a crossroad, in an alley, at a dead end; barricades are taken, lost and retaken; blood flows, grapeshot riddles houses' facades, bullets kill people making love, corpses block the streets. A few streets away one hears the shock of billiard balls in cafés."

-- Les Misérables

• The revolt in Les Misérables is real (June 5-6, 1832)

For the first time, insurgents wave the red flag and the government uses cannons against its people..

-- Une Histoire de la barricade by Eric Hazan, 2015, is a rare study to give the upheavals their due.

# # #

Working-class organization begins when silk workers of Lyons 

form a union and instead of demanding a lower price for bread, insist on higher wages.

Insurrections follow.

(In 1831 and 1834) 

Popular print / zoom

# # # 

The 1834 uprising spreads to Paris.

• When a bullet shot from a window kills an officer, soldiers enter the house and shoot all the residents, floor by floor:

Zoom (no information on the work)

 

• The lithograph Transnonain Street brings outrage. It mass communication's first secular image:*

*Freedom of the press and outstanding caricaturists let lithography take wing.

A dead baby lies under the corpse. The white sheets and shirt bring out the menace of the shadows.

• Thiers (the next page says more about him), then Minister of the Interior, rejoices so much in repression that he accompanies its ultra-conservative commander (the marquis Robert Bugeaud).

Bugeaud and Thiers are elsewhere at the time of the massacre, but are held responsible. "Unfair!" writes Bugeaud's biographer. But they show no regret and the killers go unpunished. 

The repressions of Lyons and the "Massacre of rue Transnonain" with its 14 dead announce the future.

# # #

"While Guizot incited businessmen to enrich themselves

and built new neighborhoods for the wealthy,

a mass reduced to unemployment, hunger, sickness [...]  

learned solidarity and class struggle through disaster."

  -- Jean Fréville, Lénine à Paris, 1968 

*     *     *

Next,

5.2.8.

An intelligent ogre checks in 

5.2.9. ALGERIA ENTERS FRANCE'S STORY

CONQUEST OF ALGERIA / REPRESSION IN FRANCE: TWO SIDES OF A FIGHT WHOSE TRACES LINGER

The king seizes Algiers, hoping that victory will crush domestic opposition: "The white banners were the monarchy, sailing from the port as did Saint Louis..."

-- René Chateaubriand

                   Le Débarquement à Sidi-Ferruch, July 14 1830 by Pierre-Julien Gimbert / zoom

The monarchy falls nevertheless, and the new regime inherits 

a war that goes badly and serves mainly to let officers advance in rank: 

           Le Combat à Habrah (en 1837), 1840, detail, by Horace Vernet / zoom

On the white horse, a son of Louis-Philippe. "Don't send any more princes!" the commander begs.

An attack is so poorly prepared that starving French soldiers fall back, abandoning civilians, sick and wounded (in 1835). They are decapitated.

-- Morny, le Vice-Emperor by Michel Carmona, 2005

The insurrection of 1848 makes Algeria suddenly useful as a place...

• To deport rebels:

Internet, source unknown

Deported rebels

•  Where the turbulent can go as colonists:

"Pushing back an attack of pillaging Arabs" 

"We'll be farmers and fighters," says Martial, a repented offspring of criminals. He and his mistress, the ferocious Louve ("she wolf"), start a new life in Algeria.

-- Les Mystères de Paris, by Eugène Sue, 1843.

• The colonists' version resembles Hollywood's "conquest of the West:" 

             By the Sword and the Plow, Algeria in the time of General Bugeaud, 1994

# # #

"I will burn your villages and your harvests," says the notorious General Bugeaud, who led the Parisian repression of 1834 and is the bogey-man "Bujo" who frightens children a century later.

-- Les Luttes et les rêves (Struggles and Dreams) by Michelle Zancarini-Fournel, 2016 

 Thomas-Robert Bugeaud de la Piconnerie, duc d'Isly (1784-1849), Maréchal de France

by Charles-Philippe Larivière, between 1843 and 1845 / zoom

          Gone from the web

Version with smoke from burning village in background

"The goal [...] is to keep Arabs from sowing, harvesting, pasturing [...] burn their harvests every year [...] or exterminate every last one of them."

-- General Bugeaud, February 22, 1841, Wikipedia

The population drops by at least 20% between 1830 and 1875.

-- Le Crépuscule [Twilight] des revolutions, 1848-1871 by Quentin Deluermoz, 2012 

Other estimates are 30%

# # #

Effect on France:

• The army learns savagery, which intensifies the barbarity of repressions at home.

• "He remembered his two years in Africa, and how he had ransomed Arabs in the little outposts of the South..." 

"and a gay and cruel smile passed over his lips at the recollection of an escapade that had cost the lives of three men from the Ouled-Alane tribe and given them, his companions and himself, twenty chickens, two sheep, gold, and a subject to laugh about for six months."

-- Bel-Ami by Guy de Maupassant, 1885.
 In 1881 he had been a journalist in Algeria.

• "It was not rare to see soldiers throw children to their comrades, who received them at the tip of their bayonets... .

They tore off the earrings of women, the ears too, and cut off their fingers for the rings." 

-- Victor Hugo citing a general who visits him in 1871, Choses vues (his diary), 1871

• "To be rid of ideas that sometimes assail me I cut heads, not heads of artichokes but heads of men."

-- Colonel Lucien de Montagnac, Lettres d'un soldat, toward 1848

Zoom

• The war was terrible for French soldiers as well, many of whom were peasants enrolled by force.  

Badly fed, clothed and equipped, made to commit atrocities and living in fear of unpredictable Arab reprisals, they suffered from wind and heat during the day and cold at night, and from malaria, dysentery, scurvy, typhus, cholera and depression.

One-third of the army was hospitalized (in 1846). Two-thirds of the sick had no beds, three-fourths no mattress, some lay outside, and there was not enough water, food, or medicine. 

There were seven times more deaths in the army than among civilians, whose life expectancy was already short.

-- Struggles and Dreams (mentioned above)

•  The Arabs fought in traditional ways and victories over them give a sense of omnipotence, with no experience of modern warfare. To be continued.

# # #

The war broke out again in 1954-1962. Algerian rebels obtained independence, with help from the left in France...

Algeria, a French war

In very small print, upper right: Volume IV, The Suitcase Carriers

"Les porteurs de valises" (suitcase carriers) were French carriers of funds and false identity papers to Algerian rebels in metropolitan France.

...and after a massacre in Paris, when 100-250 unarmed Algerian men, women and children demonstrating for independence were killed,* including wounded thrown into the Seine.  

*Official count, seven.

Account in French with more pictures / zoom

HERE ONE DROWNS ALGERIANS

The photographer took only two pictures before fleeing from the police. The authorities had the inscription erased a few hours later and it was published only in l986, during the trial for crimes against humanity of Maurice Papon, who had deported Jews under the collaborationist Vichy government — and tortured Algerian fighters and as Chief of Police and ordered the repression just mentioned. 

The photo became the symbol of the massacre that until then had been deleted.  

 

 Zoom

Commemorative plaque, 2001.

Hollowed silhouettes depicting demonstrators

 thrown into the Seine, 

October 17 2019.

End of this section.

*      *     *

Next section,

V.3.

February 1848: fooled again