Saturday, March 5, 2022

IS THERE ANYTHING NEW TO SAY ABOUT PARIS?


MAIS ABSOLUMENT! BY REVEALING THE CRUCIAL — AND SKIPPED

Most views of Paris contain major omissions. Revealing them leads to reinterpreting much of the French past, to seeing the city differently and to awareness of a disinformation that in its broad strokes is universal.

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Showing those absences reveals a reality more complex than we think...

     The Mariage of Saint Ursula by Cristovao de Figueiredo, toward 1525/ zoom (please scroll down)
Black musicians centuries before we expect them  


...leads to deciphering unfamiliar mentalities...

   The Flight of Louis XVI, film for television by Viktor Lazarevski, 2013
Louis XVI tried to escape revolutionary Paris by fleeing to the border (in 1791). He was caught, and his betrayal of the Constitution that he had sworn to protect had as much impact as the fall of the Bastille. It contributed to the monarchy's demise.

Historians skip aspects of his flight that seem aberrant. But they show the king's intention to reclaim power through foreign invasion and civil war.

As well, in revealing a mindset of the Old Regime they show a mentality very different from our own. 

...and highlights basics that are deliberately suppressed, such as:

  • The Parisian insurrections of the 19th century, which contributed to shaping the modern world:

Many people think that these iconic figures are taking the Bastille (in 1789). In fact, the Revolution of 1830 inspired the work:

Liberty Guides the People by Eugene Delacroix, 1830-1831 (cut to highlight the figures) 

It finished what the French Revolution had begun — overthrowing the nobles to let capitalism take wing — but that tie is usually overlooked, as is the impact of capitalism itself.

  • The military transformation of the 19th-century city, to make repressing insurrections easier.

Take the vast 19th-century space in front of Notre-Dame Cathedral that makes the giant church seem smaller and less imposing than when medieval houses huddled up to it. Built after the first conscious working-class revolt (in 1848), the empty expanse let troops assemble to repress future upheavals.

Nothing is said about it. 




*The church that towers over northern Paris.

Besides giving false information, meaningless data makes the sign unintelligible.

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These pages also highlight modern energies that are largely overlooked: 

  • In central Paris the creativity and quality that so contributed to the city's fame have almost disappeared, as shown here and here. Throbbing vitality concentrates on those outskirts where (almost) affordable rents attract artists in all domains.


Paris Bossa Nova  / François Bibonne
Music in an 18th-century wine cellar, on the southeastern fringe

An artist's studio in Ménilmontant, far to the east 

  • They are where immigrant energies flourish.




The coiffures, mustaches and beards that young men have universally adopted began with the barbershop posters in Black neighborhoods (please click here). For street musicians, watch from a café terrace on rue Doudeauville in La Goutte d'Or on a Saturday afternoon... .


For the color that illuminates sober Parisian streets, visit Europe's largest "Chinatown." 

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The giant billboards that hover over the city like Big Brother led to this blook (book/blog) because they epitomize the irrational, submissive mindset it contests:

Richard Nahem
They cluster in this city because of its size and the number of visitors.

In a void with no link to reality, purchasing the brand in itself will make you happy. You're not even told what product to buy: The ad is a command. 

Ad over a central city crossroad in 2022

Authorities reinforce that mindset. One can expect it from privately owned mass media (many newspapers and tv stations) and organizations devoted to commerce (the Office of Tourism). But publicly funded schoolbooks, museums, historical street panels (...) do the same when they overlook its contradictions,  helping globalized capitalism blow away all that obstructs it: 

Harald Wolff

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Grasping the extent of omissions is a first step in fighting the chaos that threatens us. 

It also throws another light on Paris. 
 
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Wrong information is like a wrong map, and following it leads to places where you don't want to go. This blook presents a different map that leads to a different place.

If you find it useful, please pass it on! 

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I should introduce myself

I grew up in New Jersey, where my French maman ignored my saddle shoes and Seventeen and detested Elvis. She raised me as if I were French —  the ways of Middlesex County and Paris were so different! Dealing with two truths encouraged reflection.

My junior year was in Paris. I loved its past, which I saw as a series of exploits by individuals in largely political contexts. But a young man I met at the Sorbonne thought differently: to make sense, he insisted, events, attitudes, beliefs had 
to be placed in their underlying economic contexts, with the practical interests they reinforced or challenged. And that,” he said, "comes from Karl Marx." 

My fascination for Paris lasted longer than our marriage and I have lived in this magnificent city ever since.
 
My father was a professor and I expected to become one (B.A. Vassar, Masters Harvard, Ph.D. Columbia, all in history). But teaching in a French university then was impossible without a French degree. So I became a tour guide, and this blook is the result.

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A memory

Harald Wolff
"Eisenhower is an old trousers of a general."  "No!!!"

Toward 1955, a French aunt, Magda Trocmé,
whom my dad called "Hurricane Magda"...

came to visit us in New Jersey while on a speaking tour. She and her husband, André Trocmé, were well-known for their anti-Nazi pacifism and after the war were critical of President Eisenhower's Cold War policies. My father, a stoical New Englander, would leave after dinner, leaving Maman and Aunt Magda to "discuss."

I would listen from the top of the stairs and remember their enthusiasm for exchanging ideas, without expecting to persuade. (But the discussion may have nuanced their extremely vehement points of view.)

There's a space for comments at the end of each page,
and I'd like to know what you think. 
Political critiques are welcome.

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Thanks...

Especially to Henry Aubin and Carolyn Ristau for their invaluable critiques, to Claude Abron for years of picture-taking and to Harald Wolff for his drawings

My sketch (on the right) and his interpretation step by step. 

For other direct help...



                     
To those whose pictures come from the Internet...




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Details

  • "Zoom" under pictures means that they have been taken from the web. Clicking leads to enlargements and to official data. When the Internet gives no further information, I say so.  
  • Modern images are credited to the artist or photographer. Photos without a credit are mine.  
  • For historical information I cite the source, and give page numbers for information that you might want to check.
  • Ads, shop windows, street art, haircuts, exhibits etc. change. I give photos' dates when relevant.   
  • These pages began in 2012 and keep evolving.

As an American
 I sometimes compare France and the U.S.,
but this blook is meant for all.
 
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Next,

Friday, March 4, 2022

CONTENTS


EACH PAGE MAKES A SEPARATE POINT, SHOWN BRISKLY BY HEADLINES AND PICTURES 

You can scroll by clicking on menu titles, but you may go so fast that the ideas merge. 


Harald Wolff
Scrolling stops when the pages become too heavy to load, so you end up clicking anyway.

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  Palais-Royal, where the ideas of Liberty, Equality, Fraternity took wing.

2.3. Vitality on the other side of the tracks 




Making oneself a composition: An art that immigrants invent.


2.4. To do with children (or without them)



Finding the key to this iconic painting encourages observation.





IV. 
A city of revolt and massacre
How fear of insurrection broadened the beauty the kings began

A passage that let the army invade working-class territory


4.1. "Objective history sticks to the facts:" Which facts ?





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 shows how placing events in their economic contexts
can transform their meanings. 

Harald Wolff

Now, how tangible factors help you
 find your way in Paris.


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