"I RARELY SAW MY AUGUST SOVEREIGN SO ENTHUSIASTIC, SO MUCH DID HE VALUE THE MASTERLY LINE THAT COULD TAKE
THE FAUBOURG* SAINT-ANTOINE FROM BEHIND"
-- The baron Haussmann
in Éric Hazan, The Invention of Paris, 2001
*"Faubourg" or "false burg," that is, suburb.
That line becomes the passage over part of the Saint-Martin
canal, which in June hindered the army's march east:
-- On the canal
My canal Saint-Martin by Pascal Payen-Appenzeller (1984 (in French)
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The canal pierced through the faubourg Saint-Antoine, the artisans' territory that was the traditional epicenter of revolt.*
Musée Carnavalet, not exhibited
*For a painting of the same drama in 1830, please click and scroll down.
Covering the canal would remove the obstacle that kept troops from entering the east as a whole, which, because its industrialization was attracting a new working class, was expected to become a new center of turbulence.
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To allow the overpass, Haussmann transformed the entire area:
- He demolished the "Boulevard of Crime," named after the melodramas produced in the theaters that lined the street...
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The Faubourg du Temple by Adolphe Martial Potémont, 1862 / zoom |
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The Children of Paradise by Marcel Carné (1943) with Arletty and Jean Marais / Trailer |
Adapted from Mappy
As at Notre-Dame Cathedral and City Hall, space for the army is huge and the street for daily use insignificant:
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Today the "masterly line" is the covered over canal. It has become a series of gardens, with the July Column at one end and the statue "The Grisette* of 1830" at the other:
*Grisette: a working-class girl, who wore "gris" (gray) because gray cloth was cheapest.
By Jean Descamps, 1911
In Les Misérables, Fantine is a grisette whose lover, a student, invites her to a luxurious déjeuner. He promises a surprise to follow, which turns out to be leaving without paying the bill. He returns to his province, makes a useful marriage and never thinks of her again. She is pregnant... .
The statue charmingly reminds patriarchs
of the girlfriends of their youth,
while gardens make the violence
that led to the passage almost unimaginable.
* * *
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